Early attempt at an ink poche, section cut, emphsising light. I found that these early section cut poches made the building look quite small and 2 dimensional.
Early attempt at a plan poche, here I was trying to reconcile how to express direct sunlight, and ambient sunlight. First floor.
Second attempt at plan poche, this time using ink, and with an emphasis on usable space, rather than light.
Movement parti, here i was trying to express the spaces in which one is likely to move about the house. First floor.
Public/Prive parti, using shading to show the definitive cut between public and private space.
Parti/poche. Differing shades depending on the degree of privacy.
The process of layering tracing paper interested me, so I did a test layering different images together to create ono, here there is tree-bushes-background trees-background darkness, each on a different layer.
Early attempt at an ink poche, section cut, emphsising light. I found that these early section cut poches made the building look quite small and 2 dimensional.
Early attempt at a plan poche, here I was trying to reconcile how to express direct sunlight, and ambient sunlight. First floor.
Second attempt at plan poche, this time using ink, and with an emphasis on usable space, rather than light.
Movement parti, here i was trying to express the spaces in which one is likely to move about the house. First floor.
Public/Prive parti, using shading to show the definitive cut between public and private space.
Parti/poche. Differing shades depending on the degree of privacy.
The process of layering tracing paper interested me, so I did a test layering different images together to create ono, here there is tree-bushes-background trees-background darkness, each on a different layer.
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